Wealth Statistics
How wealthy is Steve Buscemi? What is his salary? Find out below:
| Net Worth | $35 Million |
|---|---|
| Salary | $75 Thousand Per Episode |
| Date of Birth | December 13, 1957 (age 65 years) | Gender | Male |
| Height | 5 ft 8 in (1.75 m) |
| Profession | Actor, Film director, Film Producer, Firefighter, Screenwriter, Television Director, Voice Actor |
| Nationality | United States of America |
Net Worth, Salary, Earnings, and Financial Data
Steve Buscemi net worth: Steve Buscemi is a well known American actor, writer, director, producer, and former firefighter who has a net worth of $35 million. Buscemi is perhaps best known for his supporting roles in the Coen brothers films “Miller’s Crossing,” “Barton Fink,” “The Hudsucker Proxy,” “Fargo,” and “The Big Lebowski,” as well as his roles in the Quentin Tarantino films “Reservoir Dogs” and “Pulp Fiction.”
About Steve Buscemi
Early Life: Steven Vincent Buscemi was born on December 13, 1957, in Brooklyn, New York. He is one of four sons (Steven, Jon, Ken, and Michael) of John and Dorothy Buscemi. As a kid, his family moved to Nassau County, New York. Steve was on the wrestling team and in the drama club at Valley Stream Central High School. He graduated in 1975. Buscemi briefly attended Nassau Community before moving to New York City to study at the Lee Strasberg Institute. In 1976, Buscemi took a civil service test. In 1980, he became a New York City firefighter. He was a member of FDNY’s Engine CO. 55 in Little Italy for four years.
Quotes by Steve Buscemi
Do you also want a net worth like that of Steve Buscemi? Here are some inspiring Steve Buscemi quotes that might help you boost your net worth:
By nature, I think I am a pretty private person, and that is what is hard even doing interviews for films that I really love doing, because in some ways, it diminishes the experience that I had.
Steve Buscemi
I never had any master plan about directing, and I don't really write.
I usually get freaked out if I'm in a situation where a lot of people recognise me at once.
I've never had a grand plan. I've only just tried to keep open to many different possibilities, have fun and work with people who are passionate about what they do.
When I was in pre-production for Trees Lounge, I was hearing the cinematographer talking with the production designer about colours and this and that, and feeling like I was losing control.
